How to be a Fearless Artist

I love the feeling I get when I’m ready to make some art. I gather all my colorful supplies and make sure I’ve got plenty of light. Then, I look down at my clean, stark white canvas and suddenly I go blank. Blanker than the empty canvas. Fear suddenly enters into my heart. Like a lil’ wimp, I let that fear take me away from the art to go snack, rake the leaves, or (seriously?) clean the toilet.

the-scream

The Scream, Edvard Munch

Creative Courage

 

Writers do it too. Staring at the blinking cursor against the bright white background of the empty document, has the power to traumatize more effectively than a terrorist in war. Before you know it you’ll be laying in a fetal position hugging your stuffed animal and wondering how you ever thought you could be an artist.

lucas scott i suck

Lucas Scott, from One Tree Hill, experiencing writer’s block and typing, “I Suck.”

How to Develop Artistic Bravery

Artists like Bob Ross make it look easy. He fearlessly slops some paint down and creates a beautiful work of art. Below are some helpful tips to overcome fear:

1. Sketch -Before you start the finished piece, grab some cheap scratch paper, do some sketches and work out your ideas. It’d be awesome to create the masterpiece on your first try but that’s also a lot of pressure, and not always realistic. (It’s not impossible though.)

Constantly sketching and drawing will help you improve, which will build your confidence and you’ll be saying, “Goodbye Fear.”

2. It’s NOT permanent – Some art supplies can’t be erased like graphite pencil. So it feels like your marks will be permanent and if you make a mistake, what do you do? First, relax. Start out with a lighter touch and build gradually. Oil takes forever to dry so if you make a mark you’re not happy with just wipe the paint away and cover it up with more paint. Remember that many art mediums are forgiving and workable.

Or, like Bob Ross, you might get a “happy accident.”

3. Act Brave – Being an artist requires bravery because you’re doing something that cost you. Your art comes from inside of you. And what if people don’t like it? What if they put it down? Just be brave. And if you don’t feel brave, then PRETEND.

Do the opinions of other people strike terror in your heart? If so, be inspired by the war hero. Look fear in the eye, be strong and stand up for your artwork. Allow the reactions from people to be constructive criticism to help you improve.

vincent_van_gogh_-_sp ear

Hide the Knives! Van Gogh Self Portrait with bandaged ear

The Tortured Artist

Artists are sensitive and have to develop a thick skin. It may seem like I’m being a drama queen but I think fear is a common problem for everyone . . . not just the creative souls. Remember . . . feeling these raw emotions is a big part of art. And for me, overcoming fear makes me feel like a BOSS, and gives me the power to overcome whatever obstacles I might face.

bob-ross

Bob Ross!

Being Your Own “Worst” Critic

Do you like your art? Are you conveying your message? Are you giving it your all? Maybe bravery in art, is really in facing yourself.

Advertisements

100 Days of Learning T-Shirt Art Project

My best friend is a grade school teacher and asked me to work on a school art project with her and her daughter. Of course, I’m always down for art. Her daughter is also an artist and we have a lot of fun making art together. We brainstormed for a couple of days and got a practice shirt out of the way, but I still wasn’t sure what I wanted to do.

100 days t shirt-1

Diamond

Finally the idea hit to use her kitten, Diamond. I recently took some pictures of her with plans to do a drawing so that was Puuuurrrr -fect. Haha, yea I went there. Based on the ideas we talked about during our brainstorming sessions, I came up with this design.

100 days t shirt-2

Shirt design and sketch of Diamond

Everyone loved the idea so we got to work. We planned on using those two butterflies but they didn’t make the cut. I put my drawing of Diamond under the shirt and traced it with a pencil. Then after I added the sun I got started adding the fabric paint.

100 days t shirt-3

My girl helping me out

I’ve never heard of this 100 days of learning thing, but I guess it’s something schools do when they hit 100 days in the school year. You have to use 100 things, so we glued a bunch of little diamonds.

100 days t shirt-4

Diamond posing with her shirt

There’s Diamond checking out her portrait. She was upset that I made her quit messing with the shirt and look at the camera.

My friend thought about saying something along the lines of “being brighter.” So it seemed appropriate to use lyrics from Rhianna’s song, “Diamonds“: Shine Bright Like a Diamond. It’s also consistent with her personality.

100 days t shirt-5

t-shirt drying

I forgot to take a picture of the finished shirt. We just added some more diamonds and the words “100 Days of Learning,” inside the sun and I wrote her name on the back. I also forgot to take a picture of the finished shirt I made for her mom. Haha, I was getting tired.

100 days t shirt-6

The teacher’s shirt

I added a bunch of yellow, orange, and blue lightning bolts all around the shirt to represent all the electricity from the brain power. It still needed something else though. My friend finally came up with a really good finishing touch: At the bottom I wrote in blue paint, “Leads to a Brighter Future.”

These shirts were a lot of fun to make and I love supporting art and education.

Digital Charcoal Drawing of Robert Fuller

robert fuller b&w

Robert Fuller Portrait 

Lately I’ve been watching some of the old westerns like Laramie and Wagon Train. The plot, the acting, and the creative use of colors and costume design are really good. Not to mention, the guys are really good looking manly men. One in particular that has caught my eye is Robert Fuller. I was looking for something to draw digitally, and I thought he’d be a subject that could keep my interest.

I’m drawing with blue tones on Corel Painter 2015 and I’m using charcoal on rough artists paper. On drawing 3 I like how you can see the texture of the paper on his hat and the stubble on his face. I started by getting my values and basic shapes down with the broad Charcoal and the Soft Charcoal. I’m adding details with the Soft and Hard Charcoal Pencils and a tapered blender.

He kinda reminds me of John Wayne in the first one, and according to my mom he looks like Marshal Matt Dillon.

I think he’s finally starting to look more like the picture. I’ve really struggled with getting his mouth right and his eyes are giving me a little trouble. I also have a tendency to exaggerate features, like making a ruggedly square jaw extra rugged, so I’m just trying to make sure all those things look right.

I’ve been working on it for a few hours and I’m thinking it’s a good time to step away from it for a while. I’ll come back to it later with fresh eyes.

What do you think . . . does he look like Robert Fuller?

A Basic Lesson on Value – Drawing a Dog with Graphite Pencils

hp photosmart 720

This Picture broke my first digital camera that I got when I turned 15.

Shadows, midtones, and highlights which are caused by our trusty light source the Sun, make all the awesome stuff we see everyday visible. To create a believable and interesting 3D image on a 2D surface you must become BFF’s with these three things that make up the design element: Value or Tone.

As an 18-21 year old student in my early art classes I really struggled to comfortably discern between the three and determine what I needed to adjust to make everything look right.

What Exactly Are Shadows, Midtones, and Highlights?

Basically, Highlights are the really bright spots that get the most direct amount of light. The Shadows are the dark spots created by something that is blocking the light. The Midtones are everything in between the two extremes.

After I got my initial sketch of Dynamite down with correct proportions it was time to focus on building the variety of tones that will form the dog.

  1. I like to start with my darkest darks and my lightest lights. I mark where the white parts and the bright highlights are so that I make sure to keep them clean. It’s a lot harder to remove than to add. And I like adding the darks early on because they help me to adjust and refine placement and they’ll eventually disappear a little bit as the drawing develops. They’re also really easy to see.
  2. After filling in the darks and lights, I start filling in the midtones almost everywhere, following the shapes of the muscles and folds in her coat. I also add a light layer of pencil in the background so that Dynamite has a place to live in.
  3. The last step is to continue adding the variety of values (tones) until the drawing can be called finished. After drawing for a while, I noticed that her belly and her back leg area needed to be moved down some. Both were easy fixes.
dynamite sketch 3

3.

Practice working gradually in a balanced pattern throughout the image being careful not to focus on just one part of the image for too long. If you do work on one single detail you run the risk of making irreversible mistakes.

So that’s Value in a nutshell.

I’ve noticed that at first, the people I’ve taught art to really struggle to discern Shadows, Midtones, and Highlights . . .  and it’s easy to get a little discouraged. Just Remember it will eventually become second nature. I can barely remember a time when my brain didn’t notice these three and all the other elements of design. If you diligently practice seeing these details you’ll get to the point where you can’t NOT see them.

Guy From Burn Notice who sees patterns

The guy in the middle

I always think of that crazy guy from Burn Notice in S3 E5 who said,  “Once you see a pattern, you can’t un-see it.” That’s what we’re going for, minus the crazy part. Then again, if crazy works for you . . .

Quick Tip Before you Go:

When you’re working with graphite, you can cover the entire page with a graphite powder if you like to speed up the process. It’s such a light layer of graphite, that you’ll be able to draw in details with your graphite pencils and your kneaded eraser. Read the label carefully! It’s pretty dangerous stuff to breathe in.

A Few Tips to Help You Draw from a Bad Photo

Ideally, if you’re going to be drawing from a photo you should try to get a good photo with good lighting, etc. If that’s not an option you might be able to make some adjustments in Lightroom, or whatever editing program you like to use.

I zoomed in a little and I adjusted settings in Lightroom to make it a little easier to see the details. If you’re not sure what to adjust, start by just playing around and comparing to the original until you get the desired effect.

What I adjusted for this image: 

  • Increased Clarity (+33)
  • Increased White Clipping (+22)
  • Increased Sharpening (+22)
  • Decreased Black Clipping (-69)
  • Decreased Shadows (-24)
  • Decreased Highlights (-22)

I played around with Exposure, Saturation, and Contrast but those changes didn’t help any. It’s probably hard to see the differences, but the picture on the right has details showing that the picture on the left does not. These adjustments didn’t make a huge improvement, but it’s good enough to help me out.

I also had the 4×6 print to measure and double check things. I admit . . . I guess I got a tad bit dramatic about the difficulty of this drawing. Turned out not to be that hard once I finally put in a little effort.

I started with a page of thumbnail sketches to warm up and work out some quick mistakes. Then I started a larger HB pencil sketch . . . It’s not too bad . . . my proportions look pretty good and it actually resembles Dynamite. *sigh of relief*  The details in her feet and eyes are pretty much indistinguishable in the photo, so I still have a lot of work to do before I’m happy and ready to start the finished piece.

P1050965

I’m not sure what medium the finished piece will be done in. Maybe Prismacolor pencils . . . maybe something else. Dynamite actually died a couple of years ago and her owner has been missing her a lot lately so I was thinking of giving it an ethereal quality to indicate that she isn’t with us anymore but that she’s loved and missed. I still have some time to decide. Better get to work.